Seed patent holders have previously, successfully, sued farmers who inadvertantly grew patented plants they did not intentionally plant, but arrived on their property through natural means.
The point here is, some farmers will be ‘forced’ to plant golden rice by circumstance, not intention. Are they liable for that, or not? In the US and Canada, historically, they have been.
Beards are pretty popular these days, as is the ‘stubbley’ look.
Pig is a really unique and fun movie. John Wick meets Top Chef, or something like that…
You argue there’s risk in conflating one type of mass shooting with another (domestic violence or criminal pursuit vs. ‘rampaging’) because it changes how policy would be considered, while simultaneously conflating two very different types of mass shooting (psychological instability vs. ideological terrorism) as one and the same. The policy strategy to prevent these two types of violence, I hope you’d agree, would be quite different.
From my point of view, this is the inherent problem with the viewpoint you are trying to defend. You’re trying to bucket some shootings as acceptable and some as bad, and that’s a point, but that’s not the point.
If there was a standard legal or academic definition of mass shooting, and this organization was using an alternate standard, I would see and support your point, but your argument is that in an ill defined space, one organizations definition isnt the same as yours, and is therefore wrong. It’s not tenable as far as I can see. You use this idea of ‘most people’ as some kind of yardstick, which it can’t be in any formal way. It’s sort a nothingism used to attack something with the weight of popular thinking, but not really a viable standard of any kind.
Are you saying that we should have Allowlists vs. Denylists for types of gun violence that are acceptable? This seems to be the fundamental premise upon which we disagree…
From my POV, intention is immaterial because there are no ‘good’ gun deaths, so splitting hairs has no values.
It sounds to me like you’re saying if you go to a mall and have a mass shooting in a totally sober state, that’s bad, but if you get hopped up on bath salts and then have a good old fashioned shotgun rampage, that’s ok and we shouldn’t count those ones…
Your explaining the difference but not explaining why it makes a difference.
To matters of gun regulation, of safety in public spaces, of trauma to the affected, of national reputation (pick any one, or all, or something else) why does the intent change anything?
I’ll start off: To have the intention to mass-murder purely for the sake of mass murder could be worth isolating and studying because that is a specific and extreme psychological problem worth solving. However, not all mass killings (with intent, for your sake) will have that psychological trigger at root. A religious or racial extremist, for example, is different than a disaffected teenager.
In this circumstance, intent is interesting if one is interested in those other things (psychological issues in American youth, the spread of religious and racial extremism), but ultimately are secondary issues when it comes to measuring gun violence. A mass stabbing by a racial extremist, or a teenager blowing up their high school with fertilizer would still need to be measured.
You are complaining about this organization’s yardstick, but I don’t hear a compelling alternative from you for this specific measure. You are saying they should be measuring a totally different thing, which is arguably irrelevant to this measure.
I’m not sure I understand why intent matters (barring accidents, I suppose)?
Who cares what the intent was if guns were involved and people were hurt or died?
If a person is suffering from schizophrenia and thinks they are holding a magic wand, but actually shoot up a mall, they don’t have intent but the gun violence still resulted in death. Would that not be a mass shooting in your intent-based definition?
Was it? It was fine – that thing you throw on because you’ve watched most of everything else that fills that kind of derivative political action conspiracy thriller. Not particularly intelligent, not particularly funny, a loose enough plot that you can be paying attention once every 5 minutes and get by. Some folks get shot. There’s a conspiracy ooooOOOOoooh.
Maybe that’s what defines good these days, when content is just a glut of mediocrity.
I was shocked it was up top the list in terms of ‘quality,’ but I watched it because, it was there… So, I guess that explains it?
The Recruit (similar vein) was a superior show in terms of quality. Recommend that if you need a quick fix.
Can definitely blame them… Several of the famines in their ‘empire’ were either engineered, caused through incompetence or arrogance, or ignored when preventable.
Ref: Any of bengal’s several famines under British rule, frankly even after once you take Churchill into account.
Apple licenses the content from the creators – that’s true of almost every network and many film distributors as well.
Few distributors make their content in house. 'Netflix Original ’ doesn’t mean it was made by ‘Netflix Studios’ – they don’t exist. What happened was (for a series) that either a complete season or a pilot was shopped around, and Netflix bought the (exclusive) rights, which made that piece of content a Netflix Original. For films, they have usually already been made and are in a limited theatrical run (eg. Festivals) or are being shopped around privately. I imagine a limited few have distribution deals made prior to production, but that’s still not ‘Netflix’ (or Apple) making that content.
Apples launch content (eg. Ted Lasso) was produced to prop up the platform, but the method by which that content was discovered, funded and then licensed is not much different from how a traditional network (like NBC) might function.
Not enough shoutouts for Shrinking here…
Ted Lasso is definitely holding up the platform, no disagreement, but there’s some other great content there as well. Prehistoric Planet, too.
I’m not sure what kind of role you had in the industry, but I’m not sure what you’re saying is entirely accurate… although there are some bits in there I agree with:
Lots of programmers and artists don’t really care about the final game, they only care about their little part.
Accurate. And that’s ok. A programmer whose job it is to optimize the physics of bullet ricochet against thirteen different kind of materials can go really deep on that, and they don’t need to (or have time to) zoom out and care about the entire game. That’s fine. They have a job that is often highly specialized, has been given to them by production and they have to deliver on time and at quality. Why is that a problem? You use the corrolary of film, and nobody cares if the gaffer understands the subtext of the Act 3 arc… it’s not their job.
Game designers and UX designers are often clueless and lacking in gaming experience. Some of the mistakes they make could be avoided by asking literaly anyone who play games.
Which one? A game designer lacking in gaming experience likely wouldn’t get hired anywhere that has an ounce of standard. A UX designer without gaming experience might get hired, but UX is about communication, intuition and flow. A UX designer who worked on surgical software tooling could still be an effective member of a game dev team if their fundamentals are strong.
Investors and publishers often know very little to almost nothing about gameplay and technology and will rely purely on aesthetic and story.
Again, which one? Investors probably don’t know much about the specifics of gameplay or game design because they don’t need to, they need to understand ROI, a studio’s ability to deliver on time, at budget and quality, and the likely total obtainable market based on genre and fit.
Publishers – depending on whether you are talking about mobile or console/box model – will usually be intimately familiar with how to position a product for market, what KPIs (key performance indicators) to target and how to optimize within the available budget.
This is why you have some indie devs kicking big studio butts with sometime less than 1% the ressources.
This has happened. I’m not sure it’s an actual trend. There are lots of misses in the game industry. Making successful products is hard – it’s hard at the indie level, it’s hard at the AAA level. I would estimate there are a thousand failed Indies for every one you call out as ‘kicking a big studio’s butt.’ Lots of failed AAA titles too. It’s just how it goes.
The same, by the way, is true of film, TV, books and music. A lot of misses go into making a hit. Cultural products are hard to make, and nobody has the formula for success. Most teams try, fail, then try again. Sometimes, they succeed.
Can you elaborate on the math here? (I believe you, I just want to understand the simulation parameters better).
https://www.centerforfoodsafety.org/files/seed-giants_final_04424.pdf
In most cases the outcomes have been settlements, most farmers simple can’t afford to sustain the fight. I think there have been some that made it through the court system and ended up working against the farmers.
I haven’t read this whole report, but I read the relevant section starting on page 29. It was sourced from this Guardian article: https://www.theguardian.com/environment/2013/feb/12/monsanto-sues-farmers-seed-patents