Andreas Kling? How so?
Andreas Kling? How so?
And an update has just been released today!
We’re on Lemmy, not a scientific publication… Nothing typed on here holds any weight
I guess a lot of people on Lemmy indirectly know Tantacrul, he’s the product manager for Audacity and head of design for MuseScore.
Well, there’s at least three apparently
Nice, so everyone will see the shitty code used by the administration
Ok
Yeah but what about eco-anxiety which is another big reason to not wanting a child, and which is another effect of capitalism
I have some good news for you: https://escargot.chat/
But hubby can’t eat the silicone ones
We already have plenty of trains in Switzerland, they’re just expensive to ride
Fluent in c#, c++ and elixir, know a lot of other ones. I’ll be to get back to python in a few months for a new job.
Damn, you’re shilling hard!
I don’t want to use my phone for basic features like the offline mode, I’m not always connected to the internet on my laptop, that’s it.
I don’t care about Apple music, and almost every streaming platform provides some kind of SDK. It doesn’t change the fact that I don’t have a Linux client, and probably never will (or at least feature-complete) because they partly use Dolby Atmos, which is a closed-source licensed format.
And no, even on paper, tidal’s not the better option to support artists. Buy tracks on Bandcamp, buy merch and vinyl directly from artists…
I really wanted to like tidal, but honestly it’s not really good. The search sucks, no offline mode on desktop, no official Linux client, an incomplete catalog…
It’s not worth it, even if they are the least bad for paying artists.
Why? It depends on the business model, even RMS says it’s ok to make money with open source
That visualization is really cool
And add Syncthing to sync your obsidian vault with all of your devices and you have the perfect solution
Is that Morges train station?