Artificial intelligence firm Anthropic hits out at copyright lawsuit filed by music publishing corporations, claiming the content ingested into its models falls under ‘fair use’ and that any licensing regime created to manage its use of copyrighted material in training data would be too complex and costly to work in practice
GenAI tools ‘could not exist’ if firms are made to pay copyright::undefined
As for what I want, I want generative AI banned entirely,
Well, you can see the moral (and political!) problem here. Maybe the people who crunched numbers before electric computers wanted them banned. Maybe people who make diesel engines want EVs banned. That’s asking the public to take a hit for the benefit of a small group. Morality aside, it’s politically unlikely.
or at minimum restricted to training on works that are either in the public domain, or that the person creating the training model received explicit, opt-in consent to use.
This is somewhat more likely. But what then?
I’ll start. Opt-in means that you have to obtain a license to AI train with something. You have to pay the owner of the intellectual property. What does this mean in our economy? What happens?
ideally? It means that AI companies have to throw away their entire training model, pay for a license that they may not be able to afford, and go out of business as a result, at which point everyone snaps out of the cult of AI and realizes it’s as overhyped as block chain and pretends it never happened. Pardon me while I find a flea to play the world’s tiniest violin. More realistically, open models will be restricted to FOSS works and the public domain, while commercial models pay for licenses from copyright holders.
Like, what, you think I haven’t thought through this exact issue before and reached the exact conclusion your leading questions are so transparently pushing that open models will be restricted to public works only while commercial models can obtain a license? Yeah, duh. And you know what? I. Don’t. Care. Commercial models can be (somewhat) more easily regulated, and even in the absolute worst case, at least creators will have a mechanism to opt out of the artist crushing machine.
Ok, so you’re all in on some weird ideology and give a fuck about the livelihood of your “artist friends”. You had me. Great job. Good propaganda.
Corporate control is not the only thing you get (and actually not what I was leading to). You also get free money for the wealthy.
Getty claims to have the biggest private photo archive with 130 million images. How many does an artist own? The NYT owns all its archive a hundred years back; each daily newspaper having about as many words as a novel. How many novels does an author own? Of course, that’s still small fry. Meta has trained its image generator on 1.1 billion images that were generously opted in by users of insta and facebook.
So that’s how the licensing fees are going to be split. More money for the owning class, without any work required.
The money comes from subscriptions. Who pays subscriptions for image generators? The same people who pay Adobe for a subscription. People who have to make lots of high quality images. Professionals artists.
But you don’t care cause you don’t actually have artist friends. Fine. I have no idea what kind of crazy ideology you follow that you think a cyberpunk dystopia is the lesser evil.
Ah, yes, you don’t have an actual rebuttal so everything is just “propaganda” and “cyberpunk dystopia” as if snake oil salesmen hawking freaking AI-powered vibrators and vagueposting about the benefits of AI while downplaying or ignoring its very real, very measurable harms, while an entire cottage industry of individuals making a living on their creative endeavors being forced into wage slave office jobs isn’t even more of a dystopia.
Try actually talking to an artist sometime bud, I don’t know of a single one that is actually okay with AI, and if you weren’t either blind or an “ideas guy” salivating at the thought of having a personal slave to make (shitty, barely functional, vapid) shit without paying someone with the actual necessary skills, you’d agree too.
Well, you can see the moral (and political!) problem here. Maybe the people who crunched numbers before electric computers wanted them banned. Maybe people who make diesel engines want EVs banned. That’s asking the public to take a hit for the benefit of a small group. Morality aside, it’s politically unlikely.
This is somewhat more likely. But what then?
I’ll start. Opt-in means that you have to obtain a license to AI train with something. You have to pay the owner of the intellectual property. What does this mean in our economy? What happens?
ideally? It means that AI companies have to throw away their entire training model, pay for a license that they may not be able to afford, and go out of business as a result, at which point everyone snaps out of the cult of AI and realizes it’s as overhyped as block chain and pretends it never happened. Pardon me while I find a flea to play the world’s tiniest violin. More realistically, open models will be restricted to FOSS works and the public domain, while commercial models pay for licenses from copyright holders.
Like, what, you think I haven’t thought through this exact issue before and reached the exact conclusion your leading questions are so transparently pushing that open models will be restricted to public works only while commercial models can obtain a license? Yeah, duh. And you know what? I. Don’t. Care. Commercial models can be (somewhat) more easily regulated, and even in the absolute worst case, at least creators will have a mechanism to opt out of the artist crushing machine.
Ok, so you’re all in on some weird ideology and give a fuck about the livelihood of your “artist friends”. You had me. Great job. Good propaganda.
Corporate control is not the only thing you get (and actually not what I was leading to). You also get free money for the wealthy.
Getty claims to have the biggest private photo archive with 130 million images. How many does an artist own? The NYT owns all its archive a hundred years back; each daily newspaper having about as many words as a novel. How many novels does an author own? Of course, that’s still small fry. Meta has trained its image generator on 1.1 billion images that were generously opted in by users of insta and facebook.
So that’s how the licensing fees are going to be split. More money for the owning class, without any work required.
The money comes from subscriptions. Who pays subscriptions for image generators? The same people who pay Adobe for a subscription. People who have to make lots of high quality images. Professionals artists.
But you don’t care cause you don’t actually have artist friends. Fine. I have no idea what kind of crazy ideology you follow that you think a cyberpunk dystopia is the lesser evil.
Ah, yes, you don’t have an actual rebuttal so everything is just “propaganda” and “cyberpunk dystopia” as if snake oil salesmen hawking freaking AI-powered vibrators and vagueposting about the benefits of AI while downplaying or ignoring its very real, very measurable harms, while an entire cottage industry of individuals making a living on their creative endeavors being forced into wage slave office jobs isn’t even more of a dystopia.
Try actually talking to an artist sometime bud, I don’t know of a single one that is actually okay with AI, and if you weren’t either blind or an “ideas guy” salivating at the thought of having a personal slave to make (shitty, barely functional, vapid) shit without paying someone with the actual necessary skills, you’d agree too.